I just finished this book and complained about it the whole time. The prose is amateur and peppered with cliches (e.g. you should be fined for publishing the phrase "their suit was so sharp it could cut"). His attempt to write about the inner thoughts of the characters was pretty simple. The descriptions of violence and horror also felt child-like, especially the dialogue during those moments (e.g. Redd's introduction). The landscapes are bland, with lots of repetition. Personally, the redaction technique got boring fast when he would take up entire pages of the book to convey absent memories. He could use his words to convey this instead of black-boxes.
I will give the author credit on how they deal with their characters' memories and the re-development of their thoughts, and the usage of time-jumping was reasonable (some books jump around too much, as if these time-skips improve a boring plot). Also the convention for how they solve their dilemma was enjoyable.
Overall, I think the author relies too much on a vocal fandom around the SCP Foundation to glorify the book. I think there is potential for a saga of books but there needs to be more effort in the drafting and editing process to raise the quality of the books to the level the universe deserves.
I'd push back on the redaction point. One of the primary conceits of the book is that the information is generally affected, which includes the contents of the book itself. While doing multiple pages is kinda taking the piss, the general idea is much better than just verbally stating it is hard to remember.
Do you have any recommendations for science fiction books that explore interesting ideas?
There is no Antimemetics Division was really interesting in how some of the scenarios play out. I don't read much but I've been trying to do that more. I really liked the book.
Things like the memory consuming entity, async research, etc I enjoyed.
Disagree for dungeon crawler carl & any of the Bobiverse - while they're fine books, wouldn't class it in the category of interesting ideas, it's just pop fiction.
I'd look at the following:
Hyperion Book One (For the book style + ideas throughout the short stories - you only need to read book one)
Solaris, Lem (What would an alien intelligence truly look like, especially in planet size scales, really interesting theories)
House Of Leaves (Classic for exploration of horror - not sci-fi, but within the wheelhouse)
Maxwell's Demon (Hated the ending, but the first half of the book explores some interesting ideas)
Children of Time (Good sci-fi based book exploring morality + intelligence)
Annihilation (Sci-fi, no spoilers but great book)
Venemous Lumpsucker (near future sci-fi, fantastic as a set of vignettes within the story)
Closest to Antimemetics divison personally would be Maxwell's Demon + House of Leaves.
My hard disagree on the Bobiverse as well. Feels like the typical book I ought to like based on my interests and the other things I like, but the ideas somehow fall way, way short of qntm's writing.
And +1 on "Annihilation" – I started reading that to another recommendation for "books similar to TINAD" here and basically couldn't put it down. The similarity is purely based on mood, though – don't expect an actually similar novel in terms of ideas and presentation.
Dungeon Crawler Carl is not science fiction. At least I would not recommend it to someone looking for science fiction with “interesting ideas.” It’s a comedy about an RPG with magic.
But if that’s what you’re looking for, it’s pretty good
Probably the most novel part of DCC is that it's kind of an implicit response to a whole class of 'what if the world worked like an RPG' fiction, examinining the premises those works as a genre leave glossed over. Which is neat in a meta-textual kind of way, but yeah, definitely not science fiction.
That was a good mindbender indeed. I'd add "The Light of Other Days" by Arthur C. Clarke and Steven Baxter. Beware of spoilers high up the wikipedia page [0]. Tells a good tale of unexpected externalities of disruptive technology introduction.
Very personal counterpoint: I find Stross writing extremely bland, contrived, and badly paced.
I really really disliked Accelerando in particular, finding it completely vacuous, the sciencey namedrops is self-aggrandising and sound like attempts at reader flattery, the entire plot is telegraphed, characters are generic and perfectly forgettable.
It was several friends recommendation and I only got reading through the whole ordeal because whenever I asked "well I'm about there and it doesn't click" they answered "no spoiler, just a dozen pages and you'll see!"
Not a critic, again this is my personal experience of it. If people enjoyed it, more power to them.
+1 for Stross, Egan and the Bobiverse - I haven't read the others so will have a look, just wanted to add Stand on Zanzibar by Brunner, if the Bobiverse is there then MurderBot should be to.
I love all these. I'd add Blightsight by Peter Watts to the list. It has the creepy, psychological bent of Annihilation combined with the hard science elements common to qntm's, Neal Stephenson's and Greg Egan's books.
Would love to find more books like Blindsight, something about the way it described agency without consciousness was both creepy and extremely memorable.
Blindsight was great. I had such high hopes for their follow up novel Echopraxia, but sadly it felt rushed and under-edited, but the ideas were spectacular.
I wanted to like this, as the premise was fascinating and the word-smithing was pretty good. But something about it left me feeling a little disappointed at the end. More so the end of the entire trilogy, than Annihilation by itself though, IIRC.
I'll second your feeling on Annihilation trilogy. To me, the whole message boiled down to "my life kinda sucked, and now it sucks even more". The phenomenon ostensibly at the center of everything seems to take back seat to protagonists being bummed about it existing / their lives in general.
If you want the druggy, high-concept, ersatz-reality version go with Philip K. Dick - namely The Three Stigmata of Palmer Eldritch, A Scanner Darkly, VALIS.
If you want the intellectual take go with A Canticle for Leibowitz (Miller), Oryx and Crake (Atwood) or Solaris (Lem).
If you want the 60s hard-science rooted societal outlook from an ex-Naval Engineer with strong views on gender roles, it's all about Heinlein - Stranger in a Strange Land, The Moon is a Harsh Mistress, Starship Troopers etc..
If you want something to share with the young adults in your life, or simply some of the finest writing in the contemporary British YA canon, then Philip Pulman's magnificent homage to 'Paradise Lost' - the 'His Dark Materials trilogy' - cannot come more highly recommended. Usually categorised as 'fantasy', and heavily indebted to Milton and Blake, this represents a master-class in parallel-universe world building with its own take on a Steampunk Oxford and a number of other science fiction tropes.
Blindsight by Peter Watts explores interesting ideas about conscience and intelligence, but these ideas are wrapped in a mediocre action movie plot that becomes nonsensical by the end.
> "science fiction books that explore interesting ideas?"
I think that's a big part of being in the Sci-Fi genre and I don't really get people whinging about writing style - this isn't Chaucer, it's fun geeky ideas. I second basically any Greg Egan and Charles Stross and Arthur C. Clarke stories, and:
Vernor Vinge's trilogy: A Deepness in the Sky, A Fire Upon the Deep, Across Realtime. Ideas from "World War II on an alien planet around a variable star where the whole planet freezes every few years" to timewarp bubbles, galactic zones of thought, cyborg enhancements, semi-sentient plants.
Children of Time by Adrian Tchaikovsky - what if we use genetic engineering to forcibly evolve monkeys towards human intelligence? Whoops our virus infected spiders instead.
Project Hail Mary by Andy Weir - much lighter Hollywood popcorn-action sci-fi, a potential world-ending threat and a cool alien encounter.
The Lathe of Heaven by Ursula K. LeGuin - What if a guy's dreams could change reality, he sees a therapist who has a dream-influencing machine and wants to take over the world.
Peter F. Hamilton trilogies, much more fantasy mixed with sci-fi but has future Space Opera ideas - genetically engineered, cyborg enhanced, mind uploaded, human factions, several varieties of aliens, various future-techs.
I really like Ray Nayler’s work, who intersects his real experience in international politics with science fiction technology. His Tusks of Extinction uses the sci-fi notion of brain transfer and bringing back mammoths to explore the economical pressures behind poaching. His “Where the axe is buried” explores surveillance state technology with political bodies that feel like real modern nations.
On the note of memory consuming entities and coming with spectacular worldbuilding and an outstanding prose: Leech by Hiron Ennes. Ennes latest book The Works of Vermin is even better.
Exploring "interesting ideas" is kinda broad, but I find Philip K. Dick, J.G. Ballard, and Iain [M.] Banks all packed full of stuff that gets the noodle baking.
I'm a huge fan of SCP, or at least early day SCP. The problem I've found with a number of the longer form sagas is that they tend to rely on world-ending apocalyptic events (which really does get boring, it's not high stakes any more) and are heavily anime-coded.
The authors do put in a great deal of effort, which is laudable, but it does make me wonder if the writing style and story telling is a deliberate choice, or if the authors simply watch anime more than anything else and thus the universe-saving power fantasy is the only thing they know how to write.
Personally I enjoy the more 'grounded' and mysterious stuff.
//I just finished this book and complained about it the whole time
Outside of the wonderful introductory set-up and the initial inverted set-piece of 'Your first day', there is little for the book to recommend itself as a piece of literature outside of some of its overall theme and motifs. This is particularly evident in the third act of the book which originally tied in a number of other SCP entries, and feels rightfully as if the best of it was left on the editing room floor.
The author (qntm) displays clear talent and original spark, but his strength seems to lie in the short-form. A book of short-stories in the Asimovian tradition is something I would like to see in the future - Dr. Marion Wheeler already being a Dr. Susan Calvin archetype.
// Personally, the redaction technique got boring fast when he would take up entire pages of the book to convey absent memories. He could use his words to convey this instead of black-boxes.
Much of the allure of the SCP Foundation as a group-writing exercise is derived from the medium and overall conceit. At its worst this manifests as poorly comprehended replication of narrative devices from 'House of Leaves', or charting the shallows of Lovecraftian fanfiction.
That said, the use of redaction to create 'nightmare fuel' is a well-recognised and appreciated trope and somewhat of a hallmark of the series. If anything, it helps presents the work itself as a more credible literary proposition - in the vein of Irvine Welsh's 'Filth' - compared with some of the other genuine contrivances present.
'Pedantique's Proposal' is a wonderful example of the SCP format grasp exceeding its reach as a piece of interactive fiction, whilst serving as the sort of love letter to the canon and ethos of SCP that qntm was clearly trying to convey.
I dislike the ending, at least of v2. In it, the author basically gives a fleshed out (christian, neoplatonist) metaphysics to the world he's created which basically amounts to: heaven exists, humans win against the devil, etc. And the ending itself is a self-conscious version of an ascension narrative. It's a very 90deg turn ending to a book otherwise more interested in a world in which heaven is never accessible.
The core conceit lent itself so well to a (subverted) introductory "As you know" chapter that I didn't even notice it until I'd read it. Bravo for that alone.
That said, from the review: "open source maintainership as cosmic horror." Genuine laugh.
I have been thinking a lot about a notion of self-paradoxical knowledge, meaning knowledge that actively makes your reasoning worse.
For example, knowledge of extremely rare diseases causes the mind to over-evaluate their importance by many orders of magnitude (there are many variants of this effect).
Or trying to explain some concepts of the object/subject construction tend to use a language that is grounded on the concept of a shared objective reality that furthers from the concept true understanding -- in other words, "the tao that can be named is not the tao".
I didn't think "There Is No Antimemetics Division" did very well with its premise, but the premise is quite fascinating, and it's the closest I've seen to this concept. Are there other explorations of similar ideas?
I'm always surprised at the love TINAD gets, when I never hear "Ra" mentioned. From the same author, in my opinion a better story, doesn't rely on the whole SCP thing (which I never got into).
TINAD didn't stick with me at all beyond the time I spent reading it, whereas Ra did in a way.
I wonder if this is for the rewrite or the first version.
I read the first version and thought the first half was good and that the second half felt clunky. To the point where i don’t recommend it to anyone (not a huge negative, there’s just better books out there).
This review is just a plot synopsis. There are no quotes from the book to give me a sense of the quality of the writing. The review feels targeted at somebody who is already bought into the premise, not somebody from the outside who wants to know if "There Is No Antimemetics Division" is a good book or not. In that sense, it totally fails as a book review.
It's surely not a great book and if you are someone who reads a book every few months i wouldn't recommend it. It's very weird and different and fun, though. I suggest it for people who read a lot of sci-fi and are looking for something that doesn't feel the same as 10 other books they've already read.
TBH, the ending of Ra was a big letdown for me and though I like the small stories, I have the feeling that the author has issue building larger arcs. Still curious about this one and might read it just for the premise.
I read this in the wiki format (I guess it’s mostly the same thing?) and thought it was a lot of fun, with may caveats (which is totally fine). My main criticism is that the idea of antimemetics in the book was let too loose, almost as if there are no limits whatsoever to what it can achieve, physically or psychologically, so that made it hard for me to wrap my head around the puzzle. There are basically no rules the universe of antimemetics, so the possibilities felt so massive and out of control that they did not fit into the paper so to speak. I feel like good SCP storytelling is usually harrowing but also “tangible”; there must be some set of rules that the universe adheres to so that we can join the mystery and explore the limits of what could happen (or be achieved) with that set of rules. When the effects of something are so broad that they completely rewrite the reality so as to e physically and mentally invincible/invisible, then the story feels more like a drop in an ocean rather than a complete product. Regardless, I enjoyed it!
I read whatever version of this book was available to download in 2020 and really enjoyed it. Some very original ideas. I didn't find the writing clunky, and I read way too much.
My mission was to create a Sci-fi Noir episode of the Twilight Zone by way of David Lynch and Phillip K. Dick. Big shout out to Dan Erickson and Ben Stiller for speaking to my soul in Severance. And of course to the enigmatic QNTM for sparking my imagination with the original story, "We Need to Talk About 55". Long live the SCP Foundation.
I don't see a coherent plot so far. The first chapter is very fun to read. So is the second chapter, but to a lesser extent. But all the chapters seem to have the same gimmick, [Consider shocking scenario X if people were just forgetting certain things].
I also don't understand why the antimemes have physical manifestations. There doesn't have to be a reason, but this means that the story is no longer about the exploration of the central concept (antimemes).
I listened to the Audible version and either I read a completely different book or the anti-memetic effects are real, because the main character in the article has a different name and the plot synopsis doesn’t seem to match up.
My short review would be: the book is very one-note, it’s like a horror movie that keeps doing the same jumpscare over and over again. Despite this I managed to enjoy it.
I happen to be in the middle of this book right now, so I only lightly skimmed tfa, but my copy is about Marie Quinn, not as Diehl says, Marion Wheeler. I do recall that name from an older, less cohesive 2020 ebook version that I had started reading years ago but set aside. Are there different protagonists in different markets? Or different perceived realities?
I've read both versions of the book and would strongly recommend the audiobook version that came out last year (it's available on Spotify). They did a good job handling the redactions and the narrator really brings the protagonist to life. A very strong recommend if you like audiobooks.
This review gives away too many key points in the story leading anyone who has read this before the book to anticipate what is going to happen. The reviewer should have added a note for spoilers before the review
The book was good but I struggled to finish it. You as a reader are encouraged to read because the ideas are so good but then it becomes hard to endure through to whatever resolution was waiting. For those unfamiliar, it will feel something like Momento - you start to feel yourself changing as you work through it. Worth a go for anyone looking for something different.
It's got some provocative ideas, which Stephen foregrounds.
It's got a great hook, and like most writing incubated under circumstances like this, it leans hard into polished sharp introduction into a well-considered world with a very specific flavor.
It's also—no better way to put it—crappy as a novel.
It's not because the author can't string sentences together.
It's because that's not what makes a novel function as a novel.
Epic opening and premise establishment: 10/10
Nice "plot twist", predictable in its inevitability if not its specifics; conforms to genre: 7/10
Narrative arc: 2/10
Ability to sustain meaningful tension and interest while working through the de rigeur mechanics of filling hundreds of pages: 1/10
I get that there is a new readership with different expectations and styles of reading. (Looking at you tiktok; looking at you Dungeon Crawler Carl; looking at most successful YA fiction especially that which gets SPICEY and is released in 8-book series with a new volume every 11 months)
If you're silverback and relish long-form fiction as previously conceived: set expectations accordingly.
227 comments
I will give the author credit on how they deal with their characters' memories and the re-development of their thoughts, and the usage of time-jumping was reasonable (some books jump around too much, as if these time-skips improve a boring plot). Also the convention for how they solve their dilemma was enjoyable.
Overall, I think the author relies too much on a vocal fandom around the SCP Foundation to glorify the book. I think there is potential for a saga of books but there needs to be more effort in the drafting and editing process to raise the quality of the books to the level the universe deserves.
There is no Antimemetics Division was really interesting in how some of the scenarios play out. I don't read much but I've been trying to do that more. I really liked the book.
Things like the memory consuming entity, async research, etc I enjoyed.
Permutation City[2] by Greg Egan
We Are Legion (We Are Bob)[3] by Dennis E. Taylor
Halting State[4] by Charles Stross
Singularity Sky[5] by Charles Stross
Dungeon Crawler Carl[6] by Matt Dinniman
Zero World[7] by Jason M. Hough
The Shockwave Rider[8] by John Brunner
[1]: https://en.wikipedia.org/wiki/Glasshouse_(novel)
[2]: https://en.wikipedia.org/wiki/Permutation_City
[3]: https://www.amazon.com/We-Are-Legion-Bob-Bobiverse/dp/166822...
[4]: https://en.wikipedia.org/wiki/Halting_State
[5]: https://en.wikipedia.org/wiki/Singularity_Sky
[6]: https://en.wikipedia.org/wiki/Dungeon_Crawler_Carl
[7]: https://www.jasonhough.com/book/zero-world
[8]: https://en.wikipedia.org/wiki/The_Shockwave_Rider
I'd look at the following:
Hyperion Book One (For the book style + ideas throughout the short stories - you only need to read book one)
Solaris, Lem (What would an alien intelligence truly look like, especially in planet size scales, really interesting theories)
House Of Leaves (Classic for exploration of horror - not sci-fi, but within the wheelhouse)
Maxwell's Demon (Hated the ending, but the first half of the book explores some interesting ideas)
Children of Time (Good sci-fi based book exploring morality + intelligence)
Annihilation (Sci-fi, no spoilers but great book)
Venemous Lumpsucker (near future sci-fi, fantastic as a set of vignettes within the story)
Closest to Antimemetics divison personally would be Maxwell's Demon + House of Leaves.
And +1 on "Annihilation" – I started reading that to another recommendation for "books similar to TINAD" here and basically couldn't put it down. The similarity is purely based on mood, though – don't expect an actually similar novel in terms of ideas and presentation.
But if that’s what you’re looking for, it’s pretty good
> Permutation City[2] by Greg Egan
That was a good mindbender indeed. I'd add "The Light of Other Days" by Arthur C. Clarke and Steven Baxter. Beware of spoilers high up the wikipedia page [0]. Tells a good tale of unexpected externalities of disruptive technology introduction.
[0] https://en.wikipedia.org/wiki/The_Light_of_Other_Days
I'd add the Zones of Thought series by Verner Vinge. [1]
[1] https://en.wikipedia.org/wiki/A_Fire_Upon_the_Deep
I really really disliked Accelerando in particular, finding it completely vacuous, the sciencey namedrops is self-aggrandising and sound like attempts at reader flattery, the entire plot is telegraphed, characters are generic and perfectly forgettable.
It was several friends recommendation and I only got reading through the whole ordeal because whenever I asked "well I'm about there and it doesn't click" they answered "no spoiler, just a dozen pages and you'll see!"
Not a critic, again this is my personal experience of it. If people enjoyed it, more power to them.
Diaspora by Greg Egan
Anathem by Neal Stephenson (this one is a bit like doing homework but worth it imo)
If you vibe with short stories Exhalation by Ted Chiang Crystal Nights by Greg Egan isn't bad either
> Diaspora by Greg Egan
Basically anything by Egan is gold, IMO.
> Annihilation By Jeff VanderMeer
I wanted to like this, as the premise was fascinating and the word-smithing was pretty good. But something about it left me feeling a little disappointed at the end. More so the end of the entire trilogy, than Annihilation by itself though, IIRC.
If you want the intellectual take go with A Canticle for Leibowitz (Miller), Oryx and Crake (Atwood) or Solaris (Lem).
If you want the 60s hard-science rooted societal outlook from an ex-Naval Engineer with strong views on gender roles, it's all about Heinlein - Stranger in a Strange Land, The Moon is a Harsh Mistress, Starship Troopers etc..
If you want something to share with the young adults in your life, or simply some of the finest writing in the contemporary British YA canon, then Philip Pulman's magnificent homage to 'Paradise Lost' - the 'His Dark Materials trilogy' - cannot come more highly recommended. Usually categorised as 'fantasy', and heavily indebted to Milton and Blake, this represents a master-class in parallel-universe world building with its own take on a Steampunk Oxford and a number of other science fiction tropes.
> "science fiction books that explore interesting ideas?"
I think that's a big part of being in the Sci-Fi genre and I don't really get people whinging about writing style - this isn't Chaucer, it's fun geeky ideas. I second basically any Greg Egan and Charles Stross and Arthur C. Clarke stories, and:
Vernor Vinge's trilogy: A Deepness in the Sky, A Fire Upon the Deep, Across Realtime. Ideas from "World War II on an alien planet around a variable star where the whole planet freezes every few years" to timewarp bubbles, galactic zones of thought, cyborg enhancements, semi-sentient plants.
Children of Time by Adrian Tchaikovsky - what if we use genetic engineering to forcibly evolve monkeys towards human intelligence? Whoops our virus infected spiders instead.
Project Hail Mary by Andy Weir - much lighter Hollywood popcorn-action sci-fi, a potential world-ending threat and a cool alien encounter.
The Lathe of Heaven by Ursula K. LeGuin - What if a guy's dreams could change reality, he sees a therapist who has a dream-influencing machine and wants to take over the world.
Peter F. Hamilton trilogies, much more fantasy mixed with sci-fi but has future Space Opera ideas - genetically engineered, cyborg enhanced, mind uploaded, human factions, several varieties of aliens, various future-techs.
As for sci-fi: Dune!
The “Ancillary” series, for sure.
The authors do put in a great deal of effort, which is laudable, but it does make me wonder if the writing style and story telling is a deliberate choice, or if the authors simply watch anime more than anything else and thus the universe-saving power fantasy is the only thing they know how to write.
Personally I enjoy the more 'grounded' and mysterious stuff.
Outside of the wonderful introductory set-up and the initial inverted set-piece of 'Your first day', there is little for the book to recommend itself as a piece of literature outside of some of its overall theme and motifs. This is particularly evident in the third act of the book which originally tied in a number of other SCP entries, and feels rightfully as if the best of it was left on the editing room floor.
The author (qntm) displays clear talent and original spark, but his strength seems to lie in the short-form. A book of short-stories in the Asimovian tradition is something I would like to see in the future - Dr. Marion Wheeler already being a Dr. Susan Calvin archetype.
// Personally, the redaction technique got boring fast when he would take up entire pages of the book to convey absent memories. He could use his words to convey this instead of black-boxes.
Much of the allure of the SCP Foundation as a group-writing exercise is derived from the medium and overall conceit. At its worst this manifests as poorly comprehended replication of narrative devices from 'House of Leaves', or charting the shallows of Lovecraftian fanfiction.
That said, the use of redaction to create 'nightmare fuel' is a well-recognised and appreciated trope and somewhat of a hallmark of the series. If anything, it helps presents the work itself as a more credible literary proposition - in the vein of Irvine Welsh's 'Filth' - compared with some of the other genuine contrivances present.
'Pedantique's Proposal' is a wonderful example of the SCP format grasp exceeding its reach as a piece of interactive fiction, whilst serving as the sort of love letter to the canon and ethos of SCP that qntm was clearly trying to convey.
https://scp-wiki.wikidot.com/pedantique-s-proposal
:)
There is also the rough draft. I've only read the wiki and the first draft of book
Oddly I gifted the actual book away before reading it (I can buy it again, I thought)
That said, from the review: "open source maintainership as cosmic horror." Genuine laugh.
I didn't think "There Is No Antimemetics Division" did very well with its premise, but the premise is quite fascinating, and it's the closest I've seen to this concept. Are there other explorations of similar ideas?
If you don't like weird fiction, odds are you'll bounce off it.
TINAD didn't stick with me at all beyond the time I spent reading it, whereas Ra did in a way.
I read the first version and thought the first half was good and that the second half felt clunky. To the point where i don’t recommend it to anyone (not a huge negative, there’s just better books out there).
I don't see a coherent plot so far. The first chapter is very fun to read. So is the second chapter, but to a lesser extent. But all the chapters seem to have the same gimmick, [Consider shocking scenario X if people were just forgetting certain things].
I also don't understand why the antimemes have physical manifestations. There doesn't have to be a reason, but this means that the story is no longer about the exploration of the central concept (antimemes).
My short review would be: the book is very one-note, it’s like a horror movie that keeps doing the same jumpscare over and over again. Despite this I managed to enjoy it.
Though the version I read had a different name for the main character, and several other minor differences, to this review... I am confused.
https://en.wikipedia.org/wiki/The_Raw_Shark_Texts
It's got some provocative ideas, which Stephen foregrounds.
It's got a great hook, and like most writing incubated under circumstances like this, it leans hard into polished sharp introduction into a well-considered world with a very specific flavor.
It's also—no better way to put it—crappy as a novel.
It's not because the author can't string sentences together.
It's because that's not what makes a novel function as a novel.
Epic opening and premise establishment: 10/10
Nice "plot twist", predictable in its inevitability if not its specifics; conforms to genre: 7/10
Narrative arc: 2/10
Ability to sustain meaningful tension and interest while working through the de rigeur mechanics of filling hundreds of pages: 1/10
I get that there is a new readership with different expectations and styles of reading. (Looking at you tiktok; looking at you Dungeon Crawler Carl; looking at most successful YA fiction especially that which gets SPICEY and is released in 8-book series with a new volume every 11 months)
If you're silverback and relish long-form fiction as previously conceived: set expectations accordingly.